Nol van Wesel, Max Kannewasser, Frommermann's 'Lou de ladenlichter (Arr. for Vocal Ensemble by Rijndert van Woudenberg and Paul van Utrecht)' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Lou de ladenlichter (Arr. for Vocal Ensemble by Rijndert van Woudenberg and Paul van Utrecht)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Frommermann's "Holland-America Line" album is number 16 out of 20. On top of that, Netherlands appears to be the country where this track was created. Lou de ladenlichter (Arr. for Vocal Ensemble by Rijndert van Woudenberg and Paul van Utrecht) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lou de ladenlichter (Arr. for Vocal Ensemble by Rijndert van Woudenberg and Paul van Utrecht) by Nol van Wesel, Max Kannewasser, Frommermann to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM | ||
Les Indes Galantes, 4ème Entrée Les Sauvages, Scène 6 La Grande Danse De La Paix | Eric Fleming | E♭ Minor | 4 | 2A | 134 BPM | ||
Monteverdi: Ohimé ch’io cado, SV 316 (Live) | Claudio Monteverdi, Victoria de los Ángeles, Gerald Moore | C Major | 2 | 8B | 114 BPM | ||
Deux romances, L. 78: No. 1, L'âme évaporée | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 124 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): I. C'est l'extase langoureuse | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Platée, Prologue Scène 6: Premier et deuxième Rigaudons | Jean-Philippe Rameau, Les Arts Florissants, William Christie | C Major | 3 | 8B | 125 BPM | ||
Pocket Poetry No. 1: IV. Miss You | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | C Minor | 0 | 5A | 131 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
La forza del destino, Act II, Scene I: Sta bene | Giuseppe Verdi, Tiziano Tassi, Simona Marcello, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Major | 2 | 11B | 77 BPM |