Benedetto Marcello, Claude Starck, Dominique Starck's 'Sonata in G Major, Op. 1 NO. 6: III. Grave (Remastered)' came out on October 24, 1990. The duration of Sonata in G Major, Op. 1 NO. 6: III. Grave (Remastered) is about 3 minutes long, at 3:05. Based on our data, "Sonata in G Major, Op. 1 NO. 6: III. Grave (Remastered)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 21 in Barocksonaten Remastered by Claude Starck, Dominique Starck. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Sonata in G Major, Op. 1 NO. 6: III. Grave (Remastered) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in G Major, Op. 1 NO. 6: III. Grave (Remastered) by Benedetto Marcello, Claude Starck, Dominique Starck is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: III. Presto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 4 | 12A | 98 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): IV. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 87 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Non son morta nel partire, SF A213: I. Non son morta nel partire (Aria) | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial | F♯ Major | 5 | 2B | 142 BPM | ||
Qual turbine improvviso, SF A266: II. Al turbine che freme (Aria) | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu, Núria Rial | F♯ Major | 5 | 2B | 142 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM |
Section: 0.693169355392456
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