Claudio Monteverdi, La Venexiana's 'Gira il nemico insidioso Amore' came out on January 1, 2005. Gira il nemico insidioso Amore is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Claudio Monteverdi, La Venexiana's "Monteverdi, C.: Madrigals, Book 8 (La Venexiana)" album is number 4 out of 24. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Gira il nemico insidioso Amore is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gira il nemico insidioso Amore by Claudio Monteverdi, La Venexiana to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 2 | 2B | 175 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Pergolesi: Stabat Mater: VII. Eia Mater | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 131 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 138 BPM |
Section: 0.5932629108428955
End: 0.5969624519348145