Maria Teresa Rodriguez made "Preludio En "Mi Menor" Op.28 No.4" available on 1997. With Preludio En "Mi Menor" Op.28 No.4 being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Maria Teresa Rodriguez's "Los Mejores Exitos De Chopin" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Preludio En "Mi Menor" Op.28 No.4 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Preludio En "Mi Menor" Op.28 No.4 by Maria Teresa Rodriguez to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert Grosso for String Orchestra "Palladio": I. Allegretto | Karl Jenkins, Inma Shara, Bratislava Symphony Orchestra | D Minor | 3 | 7A | 164 BPM | ||
Vuelo del moscardón | Hamburg Symphony Orchestra | F♯ Minor | 4 | 11A | 177 BPM | ||
Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM | ||
Vals Poetico | Felipe Villanueva, Mexico Festival Orchestra, Enrique Bátiz | G Major | 0 | 9B | 116 BPM | ||
La Lista de Schindler (From "La Lista de Schindler") | Roberto Bravo | G Minor | 1 | 6A | 105 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Prelude in E Minor (Op. 28 No. 4) | Rousseau | E Minor | 0 | 9A | 78 BPM | ||
La corbeille de fleurs, Valse, Op. 9 | Teresa Carreño, Clara Rodriguez | D♭ Major | 2 | 3B | 115 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
Intermezzo de Atzimba (1900) | Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 1 | 9B | 61 BPM |
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