"Les quatre saisons, Le printemps: Largo e pianissimo sempe" by Antonio Vivaldi, Orchestre de Chambre National de Toulouse, Alain Moglia was released on March 15, 1995. The duration of Les quatre saisons, Le printemps: Largo e pianissimo sempe is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Les quatre saisons, Le printemps: Largo e pianissimo sempe's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi : Les quatre saisons by Antonio Vivaldi, Orchestre de Chambre National de Toulouse, Alain Moglia, Hugues Navez. The song's track number on the album is #2 out of 18 tracks. In terms of popularity, Les quatre saisons, Le printemps: Largo e pianissimo sempe is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Les quatre saisons, Le printemps: Largo e pianissimo sempe by Antonio Vivaldi, Orchestre de Chambre National de Toulouse, Alain Moglia has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Les quatre saisons, Le printemps: Largo e pianissimo sempe being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Ducros: Encore | Jerome Ducros, Gautier Capuçon | D Major | 3 | 10B | 81 BPM | ||
Concerto en ré majeur pour luth & cordes, Rv 93: Allegro | Antonio Vivaldi, Orchestre de Chambre National de Toulouse, Alain Moglia, Hugues Navez | D Major | 4 | 10B | 64 BPM | ||
Má Vlast, JB1:112: 2. Vltava - Excerpt | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelik | C Major | 2 | 8B | 118 BPM | ||
Mozart: Die Zauberflöte, K. 620: Ouverture (Adagio - Allegro) | Wolfgang Amadeus Mozart, Otto Klemperer, Philharmonia Orchestra | G Minor | 1 | 6A | 91 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Fantaisie en ré mineur KV 397 | Wolfgang Amadeus Mozart, Nicolas Economou | F Minor | 1 | 4A | 127 BPM | ||
La nuit américaine | Georges Delerue, Orchestre À Cordes De La Garde Républicaine, Sébastien Billard, Eric Aubier | D Major | 3 | 10B | 94 BPM | ||
Sarabande pour cordes et basse continue | George Frideric Handel, Ensemble instrumental de France, Philip Bride, Joël Pontet | E♭ Major | 2 | 5B | 111 BPM |
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