- BPM
- 73
- Key
- C Major
- Camelot
- 8B
Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato - Igor Stravinsky, Leonard Bernstein, New York Philharmonic Information
- Acousticness
- 98%
- Danceability
- 22%
- Energy
- 7%
- Instrumentalness
- 89%
- Liveness
- 54%
- Loudness
- 73%
- Speechiness
- 3%
- Valence
- 14%
- Popularity
- 0%
- Loudness
- -16.477 dB
Summary
"Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato" by Igor Stravinsky, Leonard Bernstein, New York Philharmonic was released on 1947. The duration of Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 102 in Bernstein Conducts Stravinsky by Igor Stravinsky, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato BPM
The tempo marking of Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato by Igor Stravinsky, Leonard Bernstein, New York Philharmonic is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Pulcinella Suite for Chamber Orchestra - Music after Pergolesi: VIIIa. Minuetto. Molto moderato Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | |
 | Violin Concerto In D Major, Op. 35: II. Romance: Andante | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 87 BPM | |
 | Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | |
 | Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | |
 | Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | |
 | The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | |
 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | |
 | Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | |
 | Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM |
- ISRC
- USSM11702422
- Label
- L-M Records/RCA Records
Section: 0.7326581478118896
End: 0.7364821434020996