Wolfgang Amadeus Mozart, Tatiana Troyanos, Anthony Laciura, Paul Plishka, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine's 'Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete"' came out on January 1, 1980. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, James Levine, Metropolitan Opera Orchestra's "Mozart : Les Noces de Figaro (extraits)" album is number 11 out of 20. On top of that, Germany appears to be the country where this track was created. Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete" by Wolfgang Amadeus Mozart, Tatiana Troyanos, Anthony Laciura, Paul Plishka, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Clemenza di Tito: Atto primo, scena XI. No.12 Quintetto con coro "Deh, conservate, oh Dei" - Scene XII-XIV [finale] | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, Sunhae Im, Bernarda Fink, René Jacobs, Marie-Claude Chappuis, Sergio Foresti, Mark Padmore | E♭ Major | 1 | 5B | 69 BPM | ||
Otello / Act 4: "Mia madre aveva una povera ancella" | Giuseppe Verdi, Kiri Te Kanawa, Chicago Symphony Orchestra, Sir Georg Solti | E Major | 2 | 12B | 87 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 19. Chor mit Soli: Der Herr ist groß in seiner Macht | Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A Major | 4 | 11B | 59 BPM | ||
Carmen, WD 31 / Act II: "Nous avons en tête une affaire" | Georges Bizet, Colette Boky, Marcia Baldwin, Marilyn Horne, Russell Christopher, Andrea Velis, Metropolitan Opera Orchestra, Leonard Bernstein | F Minor | 3 | 4A | 171 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Giovinette, che fate all'amore" | Wolfgang Amadeus Mozart, Kathleen Battle, Alexander Malta, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 3 | 9B | 124 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 11: Finale - ... Pace, Pace, Mio Dolce Tesoro! | Donato Di Stefano, Jozsef Mukk, Patrizia Pace, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 96 BPM | ||
Die Zauberflöte, K. 620: Act I No. 7: Duett - Bei Mannern, welche Liebe fuhlen | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz | E♭ Major | 1 | 5B | 172 BPM | ||
Giordano: Andrea Chénier, Act 3: "La mamma morta m'hanno alla porta" (Maddalena) | Umberto Giordano, Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung | D Major | 1 | 10B | 176 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act III: Scene and Aria. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM |
Section: 0.9190771579742432
End: 0.9245209693908691