M. C. Beaton, Philipp Schepmann made "Kapitel 70 - Hamish Macbeth verschlägt es die Sprache - Schottland-Krimis - Teil 14" available on July 28, 2023. The duration of Kapitel 70 - Hamish Macbeth verschlägt es die Sprache - Schottland-Krimis - Teil 14 is about 3 minutes long, at 3:01. Based on our data, "Kapitel 70 - Hamish Macbeth verschlägt es die Sprache - Schottland-Krimis - Teil 14" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in M. C. Beaton's "Hamish Macbeth verschlägt es die Sprache [Schottland-Krimis, Teil 14 (Ungekürzt)]" album is number 70 out of 131. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Kapitel 70 - Hamish Macbeth verschlägt es die Sprache - Schottland-Krimis - Teil 14 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kapitel 70 - Hamish Macbeth verschlägt es die Sprache - Schottland-Krimis - Teil 14 by M. C. Beaton, Philipp Schepmann to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 123 - Der Tote am Gletscher | Lenz Koppelstätter, Markus Völlenklee | A Major | 4 | 11B | 123 BPM | ||
Kapitel 28 - Auf der Suche nach den Uldanern - Galaktogon, Teil 2 | Vasily Mahanenko, Thomas Balou Martin | F♯ Minor | 4 | 11A | 74 BPM | ||
Kapitel 149.2 & Kapitel 150.1 - Sturmflut (Mamma Carlotta 13) | Gisa Pauly | B Minor | 2 | 10A | 73 BPM | ||
Kapitel 66 - Schrei | Noah Fitz, Hans-Benno Pest | A Major | 3 | 11B | 77 BPM | ||
Kapitel 94 - Lodernder Hass - Zorn, Band 7 | Stephan Ludwig, David Nathan | A Major | 3 | 11B | 100 BPM | ||
Kapitel 10 - Hamish Macbeth fängt einen dicken Fisch - Schottland-Krimis, Teil 15 | M. C. Beaton, Philipp Schepmann | D Major | 3 | 10B | 95 BPM | ||
Kapitel 29 - Ein Arzt auf Wolke 7, bitte! | Britt Gerken, Verena Wolfien | F Minor | 3 | 4A | 73 BPM | ||
Kapitel 89 - Allmen und die Dahlien - Allmen 3 | Martin Suter, Gert Heidenreich | D Major | 3 | 10B | 114 BPM | ||
Berge des Wahnsinns - Das komplette Hörspiel, Teil 9 | Phantastische Geschichten, H.P. Lovecraft, Oliver Döring, Hans-Georg Panczak, René Dawn-Claude, Martin Keßler, Hans Beyer, Antje von der Ahe, Bernd Vollbrecht, Till Hagen, Katrin Fröhlich, Jörg Döring, Juliane Ahlemeier, Daniel Welbat, Philipp Schepmann, Philipp Schulze, Thomas Nokielski, Marco Rosenberg, Rafael Weissengruber, Jan Single, Johann Fohl, Joachim Kerzel | A♭ Major | 7 | 4B | 87 BPM | ||
Kapitel 70 - Hamish Macbeth verschlägt es die Sprache - Schottland-Krimis - Teil 14 | M. C. Beaton, Philipp Schepmann | G Major | 3 | 9B | 95 BPM |
Section: 0.8170852661132812
End: 0.823366641998291