- BPM
- 58
- Key
- A Minor
- Camelot
- 8A
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana - Paul Kochanski, Manuel de Falla, Elizabeth Sellars, Len Vorster Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 1%
- Instrumentalness
- 49%
- Liveness
- 7%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 16%
- Popularity
- 1%
- Loudness
- -32.936 dB
Summary
"7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana" by Paul Kochanski, Manuel de Falla, Elizabeth Sellars, Len Vorster was released on June 18, 1998. The duration of 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 17 in Falla: Popular Spanish Suite / Piano Pieces / Harpsichord Concerto by Manuel de Falla, Various Artists, Brett Kelly. 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana BPM
The tempo marking of 7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana by Paul Kochanski, Manuel de Falla, Elizabeth Sellars, Len Vorster is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): Nana Key
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | |
 | Four Scenes of Childhood: II. Promenade | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | |
 | Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | |
 | Rêve (Version for String Quintet) | Alfredo D'Ambrosio, Archos Quartet, Mio Tamayama | E♭ Major | 1 | 5B | 72 BPM | |
 | Serenata andaluza | Benita Meshulam, Manuel de Falla, Peter Arts | A Major | 0 | 11B | 69 BPM | |
 | Five Melodies, Op. 35b: IV. Allegretto leggero e Scherzando | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 2 | 10B | 78 BPM | |
 | Arirang (Arr. Hough) | Anonymous, Stephen Hough | F Major | 2 | 7B | 77 BPM | |
 | Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | |
 | ヴァイオリン・ソナタ 第1番 ト長調 作品78《雨の歌》 - 第2楽章 Adagio | Johannes Brahms, Fumiaki Miura, 清水 和音 | A Major | 2 | 11B | 117 BPM | |
 | Short Cuts: I. Flute | John Carmichael, Susan Torke, Antony Gray | A Minor | 0 | 8A | 49 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8510160446166992
End: 0.8550777435302734