"Götterdämmerung, WWV 86D / Act 1: Frisch auf die Fahrt!" by Richard Wagner, Wolfgang Windgassen, Dietrich Fischer-Dieskau, Claire Watson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. The duration of Götterdämmerung, WWV 86D / Act 1: Frisch auf die Fahrt! is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Götterdämmerung, WWV 86D / Act 1: Frisch auf die Fahrt!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Götterdämmerung, WWV 86D / Act 1: Frisch auf die Fahrt! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Götterdämmerung, WWV 86D / Act 1: Frisch auf die Fahrt! by Richard Wagner, Wolfgang Windgassen, Dietrich Fischer-Dieskau, Claire Watson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger von Nürnberg, Act 3, Scene 2: "Abendlich glühend in himmlischer Pracht" | Richard Wagner, Bernd Weikl, Cheryl Studer, Wolfgang Sawallisch, Bavarian State Orchestra | F Major | 1 | 7B | 77 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Parsifal: Act III, Scene XI, "Hoechsten Heiles Wunder!" | Richard Wagner, René Pape, Violeta Urmana, Gary Lehman, Evgeng Nikitin, Alezei Tanovitski, Nikolai Putilin, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Fight | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 4 | 8B | 108 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A♭ Major | 0 | 4B | 182 BPM |
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