"Aureliano in Palmira: "Se tu m'ami, o mia Regina"" by Gioachino Rossini, Orchestra Lirico-sinfonica del Teatro del Giglio di Lucca, Giacomo Zani, Luciana D'Intino was released on September 16, 2014. With this song being about 5 minutes long, at 5:06, "Aureliano in Palmira: "Se tu m'ami, o mia Regina"" by Gioachino Rossini, Orchestra Lirico-sinfonica del Teatro del Giglio di Lucca, Giacomo Zani, Luciana D'Intino is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Hidden Gems of Italian 19th Century Opera (Opera italiana dell' ottocento, le perle rare)" album is number 6 out of 14. In terms of popularity, Aureliano in Palmira: "Se tu m'ami, o mia Regina" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Aureliano in Palmira: "Se tu m'ami, o mia Regina" by Gioachino Rossini, Orchestra Lirico-sinfonica del Teatro del Giglio di Lucca, Giacomo Zani, Luciana D'Intino to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 0 | 4B | 75 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox | C Major | 1 | 8B | 82 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM | ||
Ciro in Babilonia (Cyrus in Babylon): Act II: Terzetto: Ma qual voce… (Amira, Ciro, Baldassare) | Gioachino Rossini, Riccardo Botta, Anna Rita Gemmabella, Luisa Islam-Ali-Zade, Maria Soulis, Wojtek Gierlach, Giorgio Trucco, Giovanni Bellavia, ARS Brunensis Chamber Choir, Württembergische Philharmonie Reutlingen, Antonino Fogliani | G Major | 3 | 9B | 117 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM |
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