"Pictures at an Exhibition: Cum mortuis in lingua mortua" by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1998. The duration of Pictures at an Exhibition: Cum mortuis in lingua mortua is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Pictures at an Exhibition: Cum mortuis in lingua mortua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Lazar Berman, Berliner Philharmoniker, Herbert von Karajan's "Mussorgsky: Bilder einer Ausstellung" album is number 13 out of 31. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pictures at an Exhibition: Cum mortuis in lingua mortua is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition: Cum mortuis in lingua mortua by Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater | E♭ Minor | 2 | 2A | 81 BPM | ||
Une larme, Op. 70 No. 18 (Arr. for Harp by Alexandra Luiceanu) | Modest Mussorgsky, Alexandra Luiceanu | G Major | 0 | 9B | 70 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM |
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