"Estaciones Porteñas: No. 2, Invierno Porteño" by Astor Piazzolla, Bazzini Consort, Aram Khacheh, Anca Vasile Caraman was released on May 8, 2020. Since Estaciones Porteñas: No. 2, Invierno Porteño is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Viral Compilation (Classical) by Various Artists. The song's track number on the album is #2 out of 45 tracks. Estaciones Porteñas: No. 2, Invierno Porteño is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Estaciones Porteñas: No. 2, Invierno Porteño by Astor Piazzolla, Bazzini Consort, Aram Khacheh, Anca Vasile Caraman has a tempo of 68 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Estaciones Porteñas: No. 2, Invierno Porteño being at 68 BPM, the half-time would be 34 BPM with a double-time of 136 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ilusión De Mi Vida - Instrumental | Horacio Salgán | A Minor | 5 | 8A | 102 BPM | ||
Paganini Jazz, Op. 5c | Fazıl Say | A Minor | 4 | 8A | 64 BPM | ||
13 Catalan Folksongs: El testament d'Amelia | Miguel Llobet Solés, Lorenzo Micheli | D Minor | 0 | 7A | 84 BPM | ||
María de Buenos Aires, Part I, Scene 2: "Tema de María" | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | E Minor | 1 | 9A | 136 BPM | ||
Por Una Cabeza | Hugo Díaz | A Major | 4 | 11B | 108 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5, W391: Ária. Cantilena (Version for Voice and Guitar) | Heitor Villa-Lobos, Liat Cohen, Natalie Dessay | A Minor | 0 | 8A | 70 BPM | ||
Las abejas | Agustín Barrios Mangoré, Celil Refik Kaya | D Minor | 1 | 7A | 95 BPM | ||
Valse de l’Eden Cinéma [Foutaises] | Carlos D'Alessio | C Minor | 2 | 5A | 99 BPM | ||
Metro Chabacano | Camerata Romeu | G Minor | 2 | 6A | 151 BPM | ||
Suite Buenos Aires: No. 3, San Telmo | Maximo Diego Pujol, Csaba Szabo, Accord Quartet | E Minor | 2 | 9A | 99 BPM |
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