Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik, Mikhail Davydov made "To the Most Holy Sovereign Lady, Op. 43: I. Let Us Pray to the Most Holy Theotokos" available on August 1, 2021. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anton Wranitzky, Reinhard Goebel, Vadim Gluzman, Luzerner Sinfonieorchester, James Gaffigan, Alexander Krichel, Мужской хор “Оптина Пустынь”, PaTRAM Institute Male Choir, Vladimir Gorbik, Mikhail Davydov's "More Honourable than the Cherubim" album is number 5 out of 18. On top of that, United Kingdom appears to be the country where this track was created. To the Most Holy Sovereign Lady, Op. 43: I. Let Us Pray to the Most Holy Theotokos is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of To the Most Holy Sovereign Lady, Op. 43: I. Let Us Pray to the Most Holy Theotokos by Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik, Mikhail Davydov to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Phos Hilaron | The Schola Cantorum of St. Peter's in the Loop | C Minor | 1 | 5A | 86 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Gospodi pomilui | Zdravko Mihaylov, Mixed Choir | A♭ Major | 1 | 4B | 79 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
Glasom moim (With my Voice) | Alexander Arkhangelsky, Slavyanka Men's Chorus, Paul Andrews | F♯ Major | 0 | 2B | 135 BPM | ||
Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | ||
Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
Pange Lingua Gloriosi, Sing of Glory | Harry Hagan OSB | C Major | 1 | 8B | 127 BPM |
Section: 0.6111626625061035
End: 0.6154017448425293