On 1957, the song "Notebook for Anna Magdalena Bach: Little Suite: II. Musette in D Major, BWV Anh. 126" was released by Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra. With Notebook for Anna Magdalena Bach: Little Suite: II. Musette in D Major, BWV Anh. 126 being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Notebook for Anna Magdalena Bach: Little Suite: II. Musette in D Major, BWV Anh. 126 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Notebook for Anna Magdalena Bach: Little Suite: II. Musette in D Major, BWV Anh. 126 by Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
Kinder-Symphonie ("Berchtoldsgadener") C Major | Leopold Mozart, Kremerata Baltica, Gidon Kremer | C Major | 2 | 8B | 136 BPM | ||
ゴルトベルク変奏曲 ト長調/アリア(『羊たちの沈黙』より) | クリスティアーヌ・ジャコッテ | D Minor | 2 | 7A | 171 BPM | ||
Tuba Suite No. 1 "Effie the Elephant": 5. Effie Goes Folk Dancing (Arr. Irving Rosenthal) | Alec Wilder, Irving Rosenthal, Peter Whish-Wilson, David Stanhope, Adelaide Symphony Orchestra | B♭ Major | 0 | 6B | 65 BPM | ||
Overture (Suite) No. 3 in D Major, BWV 1068: III. Gavotte I and II (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | D Major | 2 | 10B | 118 BPM | ||
Flute Sonata in C Major, BWV 1033: II. Allegro | Johann Sebastian Bach, Petri Alanko, Jukka Rautasalo | G Minor | 5 | 6A | 120 BPM | ||
String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: I. Presto | Caspar Da Salo Quartet | F Major | 1 | 7B | 82 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Concerto For 2 Flutes, C-Major, RV 533: III. Allegro | Musici di San Marco, Alberto Lizzio | B Major | 1 | 1B | 110 BPM |
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