"Piano Sonata No. 32 In C Minor, Op. 111: 1. Maestoso - Allegro con brio ed appassionato" by Ludwig van Beethoven, Daniel Barenboim was released on January 1, 1984. Piano Sonata No. 32 In C Minor, Op. 111: 1. Maestoso - Allegro con brio ed appassionato appears to be safe for all ages as it is not explicit. The song is number 7 out of 102 in Beethoven: The Piano Sonatas by Ludwig van Beethoven, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Piano Sonata No. 32 In C Minor, Op. 111: 1. Maestoso - Allegro con brio ed appassionato's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Sonata No. 32 In C Minor, Op. 111: 1. Maestoso - Allegro con brio ed appassionato by Ludwig van Beethoven, Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Große Sonate für das Hammer-Klavier, Op. 106: II. Scherzo (Assai vivace - Presto - Prestissimo - Tempo I) | Ludwig van Beethoven, Andrea Molteni | B♭ Major | 2 | 6B | 72 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B♭ Minor | 2 | 3A | 94 BPM | ||
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Daniel Barenboim | G Major | 0 | 9B | 67 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 6, Albumblätter III | Robert Schumann, Maria João Pires | A♭ Major | 0 | 4B | 91 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
CPE Bach: Solfegietto in C Minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Georges Pludermacher | F Minor | 1 | 4A | 143 BPM |
Section: 1.1175365447998047
End: 1.1252083778381348