- BPM
- 81
- Key
- B Minor
- Camelot
- 10A
Missa pro defunctis: Offertory - Duarte Lobo, The Cambridge Taverner Choir, Owen Rees Information
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 11%
- Instrumentalness
- 2%
- Liveness
- 7%
- Loudness
- 61%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -23.263 dB
Summary
"Missa pro defunctis: Offertory" by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees was released on June 1, 1993. The duration of Missa pro defunctis: Offertory is about 3 minutes long, at 3:14. Based on our data, "Missa pro defunctis: Offertory" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Cambridge Taverner Choir, Owen Rees's "Music from Renaissance Portugal" album is number 7 out of 18. Missa pro defunctis: Offertory is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Missa pro defunctis: Offertory BPM
We consider the tempo marking of Missa pro defunctis: Offertory by Duarte Lobo, The Cambridge Taverner Choir, Owen Rees to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Missa pro defunctis: Offertory Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | |
 | Ah Robin | William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark Williams | C Minor | 1 | 5A | 93 BPM | |
 | Psalm 128: Shir hamma'alot, Ashrei kol yere Adonai | Salomone Rossi, Profeti Della Quinta, Elam Rotem | A♭ Minor | 1 | 1A | 132 BPM | |
 | Hymnen, Op. 140: Nr. 3 Eripe me | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | D Major | 1 | 10B | 80 BPM | |
 | Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | |
 | Missa Elisabeth Zachariae: IIb. Qui tollis peccata mundi, miserere | Duarte Lobo, Luís Toscano, Cupertinos | E♭ Major | 3 | 5B | 81 BPM | |
 | Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | |
 | O viridissima virga | Hildegard von Bingen, Ensemble Für Fruhe Musik Augsburg | C Major | 0 | 8B | 83 BPM | |
 | Ay Que Vivo en Tierra Extraña | The Royal Wind Music, Capella Sancta María, Alfred Fernández | B♭ Minor | 0 | 3A | 135 BPM | |
 | Johannes-Passion, SWV 481: I. Introitus | Heinrich Schütz, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | G Minor | 1 | 6A | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6186988353729248
End: 0.6372683048248291