"Clairieres dans le ciel: II. Elle est gravement gaie (She is solemnly gay)" by Lili Boulanger, Jean-Paul Fouchécourt, Alain Jacquon was released on January 1, 2007. With Clairieres dans le ciel: II. Elle est gravement gaie (She is solemnly gay) being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 20 in Boulanger, L.: Les Melodies by Lili Boulanger, Jean-Paul Fouchécourt. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Clairieres dans le ciel: II. Elle est gravement gaie (She is solemnly gay) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clairieres dans le ciel: II. Elle est gravement gaie (She is solemnly gay) by Lili Boulanger, Jean-Paul Fouchécourt, Alain Jacquon is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In E Minor, BWV 855 (Arr. Piano In B Minor By Alexander Siloti) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 1 | 10A | 134 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
10 Preludes, Op. 23, No. 10: Largo in G-Flat Major (Arr. for Cello & Piano by Julian Riem) | Sergei Rachmaninoff, Raphaela Gromes, Julian Riem | F♯ Major | 0 | 2B | 90 BPM | ||
6 Piano Pieces, Op.118: 5. Romance In F Major | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
La Source | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D♭ Minor | 1 | 12A | 70 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Pie Jesu | Lili Boulanger, Jean-Jacques Grunenwald, Orchestre des Concerts Lamoureux, Igor Markevitch, Alain Fauqueur | C Minor | 2 | 5A | 140 BPM |
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