"Suite No. 2 for 2 Pianos, Op. 17: II. Waltz" by Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan was released on March 29, 2024. Suite No. 2 for 2 Pianos, Op. 17: II. Waltz is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Rachmaninoff for Two". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Suite No. 2 for 2 Pianos, Op. 17: II. Waltz is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 for 2 Pianos, Op. 17: II. Waltz by Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Sarcasms for Piano, Op. 17: III. Allegro precipitato | Sergei Prokofiev, Daniil Trifonov | F Minor | 3 | 4A | 106 BPM | ||
Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo | Ludwig van Beethoven, Antje Weithaas, Dénes Várjon | G Major | 1 | 9B | 180 BPM | ||
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
Extra Magic Hour Amagi Brilliant Park OP | Kevin Animenzz, Animenzz | A Major | 1 | 11B | 74 BPM | ||
4 Pieces, Op. 36: No. 4, Etude "The Spring" - Duo-Art 5699 | Theodor Leschetizky, Peter Phillips, Mark Hambourg | A Minor | 2 | 8A | 125 BPM | ||
Miroirs, M. 43: No. 2, Oiseaux tristes | Maurice Ravel, Bruce Liu | A Minor | 1 | 8A | 135 BPM | ||
Götterdämmerung, WWV 86D (Arr. for Piano by Nikolai Lugansky): Brünnhildes Schlussgesang | Richard Wagner, Nikolai Lugansky | B Major | 0 | 1B | 75 BPM | ||
Dichterliebe, Op. 48: X. Hör' ich das Liedchen klingen | Robert Schumann, Matthias Goerne, Daniil Trifonov | F♯ Major | 2 | 2B | 85 BPM | ||
5 Preludes, Op. 15 *: No. 3 in E Major | Alexander Scriabin, Maria Lettberg | E Major | 1 | 12B | 78 BPM |
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