"Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato?" by Giacomo Puccini, Leo Nucci, Colin Cue, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti was released on January 1, 1994. The duration of Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? is about 3 minutes long, at 3:16. Based on our data, "Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Puccini: Gianni Schicchi". In this album, this song's track order is #10. Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gianni Schicchi: Nessuno sa che Buoso ha reso il fiato? by Giacomo Puccini, Leo Nucci, Colin Cue, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Cruda, funesta smania" (Enrico, Normanno, Raimondo) | Gaetano Donizetti, Tito Gobbi, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Stabat Mater, Op. 61, G. 532: IV. Quis est Homo - For Soprano and String Orchestra | Luigi Boccherini, I Virtuosi del Teatro alla Scala, Mattia Rondelli, Barbara Frittoli | A Major | 1 | 11B | 60 BPM | ||
Stabat Mater, Op. 61, G. 532: I. Stabat Mater - For Soprano and String Orchestra | Luigi Boccherini, I Virtuosi del Teatro alla Scala, Mattia Rondelli, Barbara Frittoli | F Minor | 1 | 4A | 112 BPM | ||
Simon Boccanegra: Act I: Ecco la spada (Doge, Gabriele, Paolo) | Giuseppe Verdi, Dmitri Hvorostovsky, Ildar Abdrazakov, Marco Caria, Barbara Frittoli, Kostas Smoriginas, Stefano Secco, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 170 BPM | ||
Puccini: La bohème, Act 4: "In un coupé?....Con pariglia e livree" (Marcello/Rodolfo) | Giacomo Puccini, Rolando Panerai, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | G Minor | 2 | 6A | 109 BPM | ||
Rigoletto / Act 1: "Gran nuova! Gran nuova!" - "Tutto è gioia, tutto è festa" (Scena e Coro) | Giuseppe Verdi, Christian Du Plessis, Luciano Pavarotti, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 6 | 4B | 135 BPM | ||
I Puritani / Act 1: Ah! per sempre io ti perdei | Vincenzo Bellini, Louis Quilico, Riccardo Cassinelli, London Philharmonic Orchestra, Julius Rudel | B Minor | 1 | 10A | 69 BPM | ||
Manon Lescaut / Act 2: Paga costor! | Giacomo Puccini, Mirella Freni, Dwayne Croft, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 74 BPM | ||
L'elisir d'amore / Act 2: "La donna è un animale" | Gaetano Donizetti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 78 BPM | ||
Stabat Mater, Op. 61, G. 532: VII. Tui Nati - For Soprano and String Orchestra | Luigi Boccherini, I Virtuosi del Teatro alla Scala, Mattia Rondelli, Barbara Frittoli | D Major | 2 | 10B | 76 BPM |
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