"Symphony No. 3 in D Minor: Part 2, IV. Sehr langsam. Misterioso. Durchaus ppp "O Mensch! Gib Acht!" by Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic was released on March 9, 1998. With this song being about 5 minutes long, at 4:46, "Symphony No. 3 in D Minor: Part 2, IV. Sehr langsam. Misterioso. Durchaus ppp "O Mensch! Gib Acht!" by Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic's "Mahler: Symphony No. 3 in D Minor" album is number 1 out of 24. Symphony No. 3 in D Minor: Part 2, IV. Sehr langsam. Misterioso. Durchaus ppp "O Mensch! Gib Acht! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 3 in D Minor: Part 2, IV. Sehr langsam. Misterioso. Durchaus ppp "O Mensch! Gib Acht! by Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphony No. 1 in B Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace | Robert Schumann, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 88 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": I. (b) Poco adagio | Camille Saint-Saëns, Antonio Pappano, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 91 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Symphony No. 2 in C minor - "Resurrection": 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - "Auferstehung" | Gustav Mahler, Ileana Cotrubas, Vienna State Opera Chorus, Wiener Philharmoniker, Zubin Mehta | A Major | 1 | 11B | 130 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM |
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