"The Demon: Act 2: (Scene 4) Demon" by Anton Rubinstein, Anatoly Lochak, Alison Browner, Marina Mescheriakova, Leonid Zimnenko, Valeriy Serkin, Richard Robson, Ludmilla Andrew, Wjacheslav Weinorowski, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Alexander Anissimov was released on October 23, 1995. The duration of The Demon: Act 2: (Scene 4) Demon is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Demon: Act 2: (Scene 4) Demon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Rubinstein: Demon (The)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Demon: Act 2: (Scene 4) Demon is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Demon: Act 2: (Scene 4) Demon by Anton Rubinstein, Anatoly Lochak, Alison Browner, Marina Mescheriakova, Leonid Zimnenko, Valeriy Serkin, Richard Robson, Ludmilla Andrew, Wjacheslav Weinorowski, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Alexander Anissimov having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromtu, Op. 90, D. 899, No. 3 in G-Flat | Arthur Rubinstein | F♯ Major | 0 | 2B | 90 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Souvenir de Dresde, Op. 118: No. 5. Nocturne | Anton Rubinstein, Joseph Banowetz | A♭ Major | 0 | 4B | 110 BPM | ||
Morceaux de Fantasie, Op.3: No.1 Elegie | Sergei Rachmaninoff, Vladimir Ashkenazy | E♭ Minor | 0 | 2A | 133 BPM | ||
25 Études faciles et progressives, Op. 100: No. 3, La pastorale | Franz Burgmüller, Carl Petersson | G Major | 1 | 9B | 106 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Goodbye, Mr. Rachmaninov - World Premiere Recording | Cyprien Katsaris | C Minor | 1 | 5A | 72 BPM |
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