Joseph Horovitz, Black Dyke Mills Band, Major Peter Parkes, Robert Childs made "Euphonium Concerto: III. Con moto" available on September 1, 1989. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 11 in Concerto by Black Dyke Mills Band, Major Peter Parkes, Norman Law, Philip Shaw, Robert Childs, Roger Webster, Sandy Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Euphonium Concerto: III. Con moto is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Euphonium Concerto: III. Con moto by Joseph Horovitz, Black Dyke Mills Band, Major Peter Parkes, Robert Childs is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music Hall Suite: IV. Soft Shoe Shuffle | Joseph Horovitz, Wien-Berlin Brass Quintett, Gabor Tarkovi, Guillaume Jehl, Thomas Jöbstl, Mark Gaal, Alexander von Puttkamer | G Major | 1 | 9B | 122 BPM | ||
Song for India | Nilolai Rimsky Korsakov, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM | ||
Romances, Op. 94: II. Einfach, innig | James Markey | A Major | 0 | 11B | 66 BPM | ||
Lied ohne Worte, Op. 67: No. 2, Allegro leggiero (Arr. for Saxophone Quartet by Kebyart) | Felix Mendelssohn, Kebyart | F♯ Minor | 0 | 11A | 75 BPM | ||
Flower Song (From Carmen) | Georges Bizet, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM | ||
Six Studies in English Folk Song: No. 6, Allegro vivace | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
Síncrono | João Marcondes, Camerata Inaugural | C Major | 1 | 8B | 200 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
3 Pieces, Op. 34: No. 1. Lent | Charles Koechlin, Eckart Hubner, Inge-Susann Romhild | B Minor | 0 | 10A | 72 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: XII. Pause (adapted for Flute and Piano) | Franz Schubert, Nadia Labrie, Mathieu Gaudet | E Major | 2 | 12B | 130 BPM |
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