"Mass No. 4 in C Major, Op. 48, D. 452: Sanctus: Osanna in excelsis" by Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen was released on November 17, 2009. With Mass No. 4 in C Major, Op. 48, D. 452: Sanctus: Osanna in excelsis being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "Schubert, F.: Masses Nos. 2 and 4 / Deutsche Messe". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Mass No. 4 in C Major, Op. 48, D. 452: Sanctus: Osanna in excelsis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass No. 4 in C Major, Op. 48, D. 452: Sanctus: Osanna in excelsis by Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
20 Waltzes, Op. 127, D.146: No. 12 in G Minor - No. 14 in G Major | Franz Schubert, Pierre-Laurent Aimard | D Major | 1 | 10B | 128 BPM | ||
12 German Dances, Op. 171, D.790: No. 9 in B Major - No. 10 in B Minor | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
6 Moments musicaux, Op. 16: No. 3, Andante cantabile | Sergei Rachmaninoff, Boris Giltburg | B Minor | 0 | 10A | 103 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM |
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