"Musica sacra: No. 2. Psalm 121, "Ma tostam oma silmad" (If I lift up my eyes to the hills)" by Cyrillus Kreek, Estonian National Symphony Orchestra, Arvo Volmer was released on January 1, 2000. The duration of Musica sacra: No. 2. Psalm 121, "Ma tostam oma silmad" (If I lift up my eyes to the hills) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Musica sacra: No. 2. Psalm 121, "Ma tostam oma silmad" (If I lift up my eyes to the hills)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cyrillus Kreek, Mati Turi, Arvo Volmer's "Kreek, K.C.: Requiem / Musica Sacra" album is number 10 out of 14. Musica sacra: No. 2. Psalm 121, "Ma tostam oma silmad" (If I lift up my eyes to the hills) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Musica sacra: No. 2. Psalm 121, "Ma tostam oma silmad" (If I lift up my eyes to the hills) by Cyrillus Kreek, Estonian National Symphony Orchestra, Arvo Volmer to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Image of Melancholy | Anthony Holborne, Bjarte Eike, Barokksolistene | D Major | 1 | 10B | 76 BPM | ||
Spem In Alium (Tallis) | The King's Singers | B♭ Major | 2 | 6B | 138 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM | ||
Meie err | Cyrillus Kreek, VHK keelpilliorkester, Rasmus Puur | E♭ Major | 1 | 5B | 103 BPM | ||
Abendlied | Josef Rheinberger, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | F Major | 2 | 7B | 79 BPM | ||
Responsory: O felix anima | Hildegard von Bingen, Anonymous 4 | B♭ Minor | 0 | 3A | 103 BPM | ||
2 Sacred Songs: No. 2, Ave Maria | Valentin Silvestrov, Agate Burkina, Rūdolfs Bērtiņš, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 79 BPM |
Section: 1.0873496532440186
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