Joaquín Rodrigo, Alfonso Moreno/Minerva Garibay/Cecilia López/Jesús Ruiz/Orquesta Sinfonica del Estado de México/Enrique Bátiz, Enrique Bátiz, Mexico State Symphony Orch, Orquesta Sinfónica Del Estado de México's 'Concierto Andaluz: I. Tiempo de Bolero (Allegro vivace)' came out on April 14, 2008. Since Concierto Andaluz: I. Tiempo de Bolero (Allegro vivace) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Guitar Classics, so we believe that "Concierto Andaluz: I. Tiempo de Bolero (Allegro vivace)" is a single. In terms of popularity, Concierto Andaluz: I. Tiempo de Bolero (Allegro vivace) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concierto Andaluz: I. Tiempo de Bolero (Allegro vivace) by Joaquín Rodrigo, Alfonso Moreno/Minerva Garibay/Cecilia López/Jesús Ruiz/Orquesta Sinfonica del Estado de México/Enrique Bátiz, Enrique Bátiz, Mexico State Symphony Orch, Orquesta Sinfónica Del Estado de México is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Ricardo Gallén, Asturias Symphony Orchestra, Maximiano Valdes | G Major | 1 | 9B | 123 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
Concierto madrigal (excerpts): Zapateado: Allegro vivace | Joaquín Rodrigo, Joaquin Clerch, Ricardo Gallén, Asturias Symphony Orchestra, Maximiano Valdes | D Minor | 1 | 7A | 85 BPM | ||
En Aranjuez Con Tu Amor | Joaquín Rodrigo, The Ten Tenors, Orchestrated by Steven Baker, Orquesta de RTVE | D Minor | 2 | 7A | 79 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM |
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