"Messe à 2 chœurs et 2 orgues, Op. 36: I. Kyrie" by Charles-Marie Widor, The Hyperion Chorus of Baritones, Joseph Cullen, Westminster Cathedral Choir, James O'Donnell, Andrew Reid was released on February 1, 1997. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vierne, Widor & Dupré: Choral Music by Westminster Cathedral Choir, Louis Vierne, James O'Donnell, Marcel Dupré, Charles-Marie Widor. The song's track number on the album is #12 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Messe à 2 chœurs et 2 orgues, Op. 36: I. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe à 2 chœurs et 2 orgues, Op. 36: I. Kyrie by Charles-Marie Widor, The Hyperion Chorus of Baritones, Joseph Cullen, Westminster Cathedral Choir, James O'Donnell, Andrew Reid has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messe à 2 chœurs et 2 orgues, Op. 36: I. Kyrie being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata in G | Théodore Dubois, Martin Schellenberg | G Major | 2 | 9B | 109 BPM | ||
Orgelbüchlein (Little Organ Book): Christ lag in Todesbanden, BWV 625 | Otto Winter | D♭ Minor | 3 | 12A | 69 BPM | ||
Suite No. 1: Prélude | Louis Vierne, Olivier Latry | C Major | 0 | 8B | 83 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
La nativité du Seigneur: 9. Dieu parmi nous | Olivier Messiaen, Olivier Latry | B Major | 2 | 1B | 64 BPM | ||
Gothic Suite Op 25: Menuet gothique | Léon Boëllmann, William McVicker | C Major | 1 | 8B | 176 BPM | ||
Te Deum, H. 146: Prelude | Marc-Antoine Charpentier, Raymond Leppard, English Chamber Orchestra | D Major | 5 | 10B | 75 BPM | ||
Suite No. 2: Toccata | Louis Vierne, Olivier Latry | B♭ Minor | 5 | 3A | 75 BPM | ||
Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8- Allegro (Mouvement 3) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 141 BPM | ||
Rodetsky March | Johann Strauss II, Timothy Farrell | A Major | 2 | 11B | 108 BPM |
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