"Méditation Hebraique (Arr. for Cello and Orchestra)" by Ernest Bloch, I Musici de Montréal, Yuli Turovsky had its release date on March 1, 1990. This song is about six minutes long, preciously at 6:21, making this song fairly long compared to other songs. The track order of this song in I Musici de Montréal, Yuli Turovsky, Nadia Pelle, Mary Ann Hart, Rodney Nolan's "Music on Hebrew Themes by Shostakovich, Bloch & Prokofiev" album is number 16 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Méditation Hebraique (Arr. for Cello and Orchestra) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Méditation Hebraique (Arr. for Cello and Orchestra) by Ernest Bloch, I Musici de Montréal, Yuli Turovsky to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite hébraïque: I. Rapsodie | Ernest Bloch, Paul Neubauer, Margo Garrett | E♭ Major | 3 | 5B | 78 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
From Jewish Life, B. 55: I. Prayer | Ernest Bloch, Sol Gabetta | F Minor | 1 | 4A | 88 BPM | ||
Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | ||
Spohr : Sonata for Cello & Harp in G major Op.115 : II Larghetto | Louis Spohr, Helga & Klaus Storck | E Major | 1 | 12B | 116 BPM | ||
Violin Concerto in A Minor, Op. 82: I. Moderato | Alexander Glazunov, Julia Fischer, Russian National Orchestra, Yakov Kreizberg | F Major | 0 | 7B | 130 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |