"Orfeo Ed Euridice: Dance Of The Blessed Spirits (Act 2)" by Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1984. Since Orfeo Ed Euridice: Dance Of The Blessed Spirits (Act 2) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 10 in Albinoni: Adagio in G minor / Pachelbel: Canon by Berliner Philharmoniker, Herbert von Karajan, Antonio Vivaldi, Christoph Willibald Gluck, Johann Pachelbel, Johann Sebastian Bach, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Orfeo Ed Euridice: Dance Of The Blessed Spirits (Act 2) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orfeo Ed Euridice: Dance Of The Blessed Spirits (Act 2) by Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paride ed Elena, Wq. 39, Act V: Act V Scene 1: Donzelle semplici, no, non credete (Elena) | Christoph Willibald Gluck, Ileana Cotrubas, Anthony Spiri, ORF Radiosymphonieorchester, Lothar Zagrosek | G Minor | 1 | 6A | 83 BPM | ||
Paride ed Elena, Wq. 39, Act V: Act V Scene 3: Va coll' amata in seno (Pallade) | Christoph Willibald Gluck, Anthony Spiri, ORF Radiosymphonieorchester, Gabriele Fontana, Lothar Zagrosek | G Major | 2 | 9B | 78 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Lieder ohne Worte, Op. 30/6: Allegretto tranquillo "Venetianisches Gondellied" | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 131 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM |
Section: 0.7080740928649902
End: 0.712289571762085