"Das Buch mit Sieben Siegeln: Und als das Lamm der Siegel viertes auftrat (Johannes/Zei Überlebende)" by Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony Orchestra was released on 1998. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Schmidt: Das Buch mit Sieben Siegeln". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Das Buch mit Sieben Siegeln: Und als das Lamm der Siegel viertes auftrat (Johannes/Zei Überlebende) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Das Buch mit Sieben Siegeln: Und als das Lamm der Siegel viertes auftrat (Johannes/Zei Überlebende) by Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Relaxing Sounds | Sergei Rachmaninoff, Wolfram Schmitt-Leonardy, Janacek Philharmonic Orchestra, Theodore Kuchar | B Major | 2 | 1B | 92 BPM | ||
Symphony No. 4 in C Major: III. Molto vivace | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | B♭ Major | 1 | 6B | 91 BPM | ||
Overture Oberon, J.306: Overture - 2024 Remaster | Carl Maria von Weber, London Symphony Orchestra, Josef Krips | D Major | 6 | 10B | 148 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
Coppélia / Tableau 1: Czardas (Danse hongroise) - Sortie | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | A Major | 2 | 11B | 97 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM |
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