Anonymous, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Air pour les Grâces' came out on September 3, 2015. With Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Air pour les Grâces being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 19 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Air pour les Grâces is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Air pour les Grâces by Anonymous, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sheppard: Media Vita - 1. Media Vita in Morte Sumus | The Tallis Scholars, Peter Phillips | D♭ Minor | 1 | 12A | 65 BPM | ||
Canto Gregoriano IV, Cuaresma y Semana Santa: Attende, Domine | Coro De La Abadía Benedictina De Santo Domingo De Silos | A Major | 1 | 11B | 80 BPM | ||
Our Father | Bulgarian National Choir | E♭ Minor | 2 | 2A | 78 BPM | ||
Gaudete in Domino semper | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | G Minor | 4 | 6A | 138 BPM | ||
Te Joseph | Monks Of The Abbey Of Notre Dame | F♯ Minor | 1 | 11A | 122 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
Glorious Miracle | "Drevnerussky Rospev" Male Choir | B♭ Major | 0 | 6B | 107 BPM | ||
Cantus Officiorum: Psallenda: Videntes stellam magi | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | E Minor | 1 | 9A | 84 BPM | ||
Requiem: VI. Agnus Dei | Pierre de la Rue, Dominique Visse, Ensemble Clément Janequin | E♭ Minor | 1 | 2A | 63 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM |
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