Yo-Yo Ma, Kathryn Stott made "I. Vanitas vanitatum (Schumann) - Commentary" available on September 17, 2015. The duration of I. Vanitas vanitatum (Schumann) - Commentary is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. I. Vanitas vanitatum (Schumann) - Commentary's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Songs from the Arc of Life (Track by Track Commentary)". In this album, this song's track order is #6. In terms of popularity, I. Vanitas vanitatum (Schumann) - Commentary is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With I. Vanitas vanitatum (Schumann) - Commentary by Yo-Yo Ma, Kathryn Stott having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Written on the Sky | Max Richter | B♭ Minor | 1 | 3A | 136 BPM | ||
Bagatelle for Piano in A Minor "Für Elise", WoO 59 | Leonard Hokanson | A Minor | 0 | 8A | 145 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | F♯ Major | 0 | 2B | 76 BPM | ||
Waldszenen, Op. 82: 3. Einsame Blumen | Robert Schumann, Mitsuko Uchida | B♭ Major | 0 | 6B | 69 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, Jan Vogler, Helmut Branny | D Major | 1 | 10B | 136 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM |
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