"Los delfines" by Diego Pisador, Christina Pluhar, L'Arpeggiata, Raquel Andueza was released on March 4, 2013. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christina Pluhar, L'Arpeggiata's "Mediterraneo" album is number 19 out of 19. In terms of popularity, Los delfines is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Los delfines by Diego Pisador, Christina Pluhar, L'Arpeggiata, Raquel Andueza to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tleycantimo choquiliya | Juan de Araujo, Ensemble Villancico, Peter Pontvik | E Major | 2 | 12B | 133 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Purcell / Arr. Pluhar: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | G Minor | 3 | 6A | 126 BPM | ||
Lambert: Vos mépris chaque jour | Michel Lambert, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | B Major | 0 | 1B | 94 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Handel: Cara sposa (Aria di Rinaldo, from Rinaldo HWV 7) | George Frideric Handel, Christina Pluhar, Valer Sabadus, L'Arpeggiata | E Minor | 1 | 9A | 125 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Kapsberger | L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi | E♭ Major | 1 | 5B | 97 BPM | ||
Nitocri: “Fortuna e speranza” | Antonio Caldara, Cecilia Bartoli, Sol Gabetta, Cappella Gabetta, Andrés Gabetta | A♭ Minor | 1 | 1A | 100 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quarta (Piacer con due compagni, Corpo, Anima) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Dominique Visse, Stephan Van Dyck, Nicholas Achten, Marco Beasley, Johannette Zomer | G Major | 2 | 9B | 81 BPM |
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