"Rappresentatione di Anima, et di Corpo, Atto primo: Scena terza (Intelletto)" by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker was released on 2001. The duration of Rappresentatione di Anima, et di Corpo, Atto primo: Scena terza (Intelletto) is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Rappresentatione di Anima, et di Corpo, Atto primo: Scena terza (Intelletto)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 5 out of 100. Rappresentatione di Anima, et di Corpo, Atto primo: Scena terza (Intelletto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Atto primo: Scena terza (Intelletto) by Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar, Jan Van Elsacker to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
Christus resurgens | Peter Philips, Sarum Consort, Andrew Mackay | B Major | 1 | 1B | 97 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM |
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