Munich Philharmonic Orchestra, Paul Redinowski's 'op. 46: III. Antria`s Dance: Peer Gynt Suite No.1' came out on January 1, 1998. The duration of op. 46: III. Antria`s Dance: Peer Gynt Suite No.1 is about 3 minutes long, at 3:22. Based on our data, "op. 46: III. Antria`s Dance: Peer Gynt Suite No.1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Peer Gynt Suite No.1 & 2, Concert For Piano And Orchestra". In this album, this song's track order is #3. The popularity of op. 46: III. Antria`s Dance: Peer Gynt Suite No.1 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With op. 46: III. Antria`s Dance: Peer Gynt Suite No.1 by Munich Philharmonic Orchestra, Paul Redinowski having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Mahler: Symphony No. 2 in C Minor, "Resurrection": II. Andante moderato - Sehr gemächlich, nie eilen | Gustav Mahler, Valery Gergiev, Munich Philharmonic Orchestra | E Major | 1 | 12B | 72 BPM | ||
Ariadne auf Naxos, Op. 60 / Opera: "Es gibt ein Reich" | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | E♭ Major | 2 | 5B | 121 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
The Kiss (Hubicka) - Opera in 2 Acts: Lullaby | Bedřich Smetana, Renée Fleming, Philharmonia Orchestra, Sebastian Lang-Lessing | A Major | 1 | 11B | 75 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM | ||
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Symphonie No. 4 in D minor, Op. 120: III - Scherzo. Lebhaft - Trio | Munich Philharmonic Orchestra, Sergiu Celibidache | G Major | 10 | 9B | 0 BPM | ||
Mascagni: Cavalleria rusticana: Preludio (Andante sostenuto) | Pietro Mascagni, Victoria de los Ángeles, Franco Corelli, Mario Sereni, Adriana Lazzarini, Corinna Vozza, Coro del Teatro dell' Opera di Roma, Gabriele Santini, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 93 BPM |
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