Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras made "Pedro Y El Lobo (Peter and the Wolf): "En aquel instante algo atrajo la atención de Pedro..." - Narration in Spain" available on January 1, 1990. With Pedro Y El Lobo (Peter and the Wolf): "En aquel instante algo atrajo la atención de Pedro..." - Narration in Spain being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Prokofiev: Pedro y el Lobo; Obertura sobre temas; Sinfonia Classica". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Pedro Y El Lobo (Peter and the Wolf): "En aquel instante algo atrajo la atención de Pedro..." - Narration in Spain is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Pedro Y El Lobo (Peter and the Wolf): "En aquel instante algo atrajo la atención de Pedro..." - Narration in Spain by Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, José Carreras having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coronation March, Op. 65 | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Carmina Burana / 3. Cour d'amours: "Stetit puella" | Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | B Minor | 0 | 10A | 84 BPM | ||
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Trio Sonata in D Minor, Op. 1/12, RV 63 "La Follia" | Antonio Vivaldi, Daniel Hope, Chamber Orchestra of Europe | D Minor | 2 | 7A | 145 BPM | ||
Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto | Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 84 BPM | ||
Prologue: Entree Of Don Quixote (Minkus) | Mariinsky Orchestra | G Major | 2 | 9B | 64 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Granada: Granada | Agustín Lara, José Carreras, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | D Major | 6 | 10B | 153 BPM | ||
Symphony No.5 In E Minor, Op.64, TH.29: 3. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | E Minor | 3 | 9A | 95 BPM |
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