"Carmina Burana / 3. Cour d'amours: "Stetit puella"" by Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti was released on January 1, 1975. The duration of Carmina Burana / 3. Cour d'amours: "Stetit puella" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: "Stetit puella"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #17. Carmina Burana / 3. Cour d'amours: "Stetit puella" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 3. Cour d'amours: "Stetit puella" by Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Siegfried, WWV 86C, Act III: Ewig war ich, ewig bin ich | Richard Wagner, Simon O'Neill, Heidi Melton, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 3 | 8B | 65 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Piano, pianissimo, senza parlar (Fiorello/Coro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 1 | 9B | 101 BPM | ||
Carmen (1997 - Remaster), Act III: Ecoute, écoute, compagnon, écoute | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
Turandot / Act 1: "Ah! Per L'Ultima Volta" | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | F Major | 2 | 7B | 170 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8: Aria: Gia d'insolito ardore nel petto (Mustafa) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Die Walküre, WWV 86B / Act 1: "Schläfst du, Gast?...Der Männer Sippe saß hier" | Richard Wagner, Alessandra Marc, Poul Elming, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 117 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" - Live | Giacomo Puccini, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | D♭ Minor | 1 | 12A | 169 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM |
Section: 0.8588788509368896
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