"Beethoven: 63 Irish Songs, Pt. 1, WoO 152: No. 6, What Shall I Do to Shew How Much I Love Her?" by Ludwig van Beethoven, Jean-Pierre Armengaud, Dania El Zein, John Bernard, Alessandro Fagiuoli, Andrea Musto was released on November 29, 2019. The duration of Beethoven: 63 Irish Songs, Pt. 1, WoO 152: No. 6, What Shall I Do to Shew How Much I Love Her? is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Beethoven: 63 Irish Songs, Pt. 1, WoO 152: No. 6, What Shall I Do to Shew How Much I Love Her?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 64 in Beethoven: 63 Irish Songs, WoO 152, 153 & 154 by Ludwig van Beethoven, Jean-Pierre Armengaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Beethoven: 63 Irish Songs, Pt. 1, WoO 152: No. 6, What Shall I Do to Shew How Much I Love Her? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Beethoven: 63 Irish Songs, Pt. 1, WoO 152: No. 6, What Shall I Do to Shew How Much I Love Her? by Ludwig van Beethoven, Jean-Pierre Armengaud, Dania El Zein, John Bernard, Alessandro Fagiuoli, Andrea Musto is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 79 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM |
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