Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic made "Le carnaval des animaux, R. 125: 11. Pianistes" available on November 2, 2018. With Le carnaval des animaux, R. 125: 11. Pianistes being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #27. In terms of popularity, Le carnaval des animaux, R. 125: 11. Pianistes is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Le carnaval des animaux, R. 125: 11. Pianistes by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 6 Homeward | Edvard Grieg, Emil Gilels | D Major | 2 | 10B | 121 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Minor | 0 | 7A | 174 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 3. The Seven Stages: Variation 8. Molto moderato, ma movendo | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 51 BPM | ||
Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Giselle: No. 4 - Allegro Loure | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 1 | 10B | 127 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM |
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