"Piazzolla: Oblivion" by Astor Piazzolla, Alison Balsom, Guy Barker, Guy Barker Orchestra was released on September 8, 2014. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Paris". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Piazzolla: Oblivion is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piazzolla: Oblivion by Astor Piazzolla, Alison Balsom, Guy Barker, Guy Barker Orchestra having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
La vie en rose | Édith Piaf, R S Louiguy, Die 12 Cellisten der Berliner Philharmoniker | A♭ Major | 2 | 4B | 75 BPM | ||
Candide, Act 1: Glitter and Be Gay | Leonard Bernstein, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | F Minor | 1 | 4A | 141 BPM | ||
Andaluza | Enrique Granados, Lavinia Meijer, Carel Kraayenhof | E Major | 1 | 12B | 90 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | ||
Recuerdos de la Alhambra | Francisco Tárrega, Andrea González Caballero | A Major | 0 | 11B | 137 BPM | ||
Veloce, Pt. 1 | Claude Bolling, Jean-Pierre Rampal, Max Hédiguer, Marcel Sabiani | F Minor | 3 | 4A | 130 BPM | ||
Tango Etude No. 5 | Astor Piazzolla, Shmuel Elbaz | C Major | 2 | 8B | 92 BPM | ||
Vesper | New Tide Orquesta, New Tango Orquesta, Thomas Gustavsson, Per Störby Jutbring | B Minor | 2 | 10A | 119 BPM |
Section: 0.6696188449859619
End: 0.6745781898498535