Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra's 'Minkus / Arr. Lanchbery: Don Quixote: No. 13, Dance of the Dryads' came out on November 9, 2009. The duration of Minkus / Arr. Lanchbery: Don Quixote: No. 13, Dance of the Dryads is about 3 minutes long, at 3:09. Based on our data, "Minkus / Arr. Lanchbery: Don Quixote: No. 13, Dance of the Dryads" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 21 out of 51 in Delibes: Coppélia by Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris. In terms of popularity, Minkus / Arr. Lanchbery: Don Quixote: No. 13, Dance of the Dryads is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Minkus / Arr. Lanchbery: Don Quixote: No. 13, Dance of the Dryads by Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Minkus: Don Quixote, Act 3: I. Entrée | Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra | A♭ Major | 1 | 4B | 92 BPM | ||
Cinderella, Op. 87: 16. Winter Fairy | Sergei Prokofiev, Russian National Orchestra, Mikhail Pletnev | C Major | 1 | 8B | 118 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Autumn (L'Automno) Op.8 No.3 Major: Allegro | Baroque Festival Orchestra, Alberto Lizzio | F Major | 0 | 7B | 104 BPM | ||
Giselle: Act II: Entree d'Hilarion scene et fugue des Wilis - Grand pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 126 BPM |
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