- BPM
- 68
- Key
- C Minor
- Camelot
- 5A
Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio - Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma Information
- Acousticness
- 99%
- Danceability
- 13%
- Energy
- 2%
- Instrumentalness
- 71%
- Liveness
- 12%
- Loudness
- 47%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -31.904 dB
Summary
"Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio" by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma was released on June 4, 2013. With Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 26 out of 31 in Bortniansky: I cried out to the Lord: Hymns and Choral Concertos by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma. Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio BPM
The tempo marking of Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio by Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Sacred Concerto No. 32, "Skazhi mi, Hospodi, konchinu moyu" (O Lord, make me to know mine end): III. Adagio Key
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | There We Shall Rest | Kim André Arnesen, Kantorei, Joel Rinsema | F Major | 1 | 7B | 81 BPM | |
 | Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | |
 | Sacred Concerto No. 9, "Sey den', yeho zhe sotvori Hospod'" (This is the day which the Lord hath made): I. Allegro moderato | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | C Major | 1 | 8B | 129 BPM | |
 | Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | |
 | Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | |
 | Requiem aeternam (1) | Herbert Howells, Choir of St. John's College, Cambridge, Christopher Robinson | E Minor | 0 | 9A | 78 BPM | |
 | Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | |
 | Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | |
 | Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | |
 | Fervent Supplication | The Russian State Symphony Cappella | C Major | 2 | 8B | 134 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5257580280303955
End: 0.5295488834381104