Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica's 'María Manuela: "Así Como Es Ella, Deberías Ser Tú"' came out on December 3, 2013. The duration of María Manuela: "Así Como Es Ella, Deberías Ser Tú" is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. María Manuela: "Así Como Es Ella, Deberías Ser Tú"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zarzuela: María Manuela by Federico Moreno Torroba, Guillermo Fernández-Shaw, Federico Romero, Gran Orquesta Sinfonica. The song's track number on the album is #1 out of 16 tracks. Based on our data, Spain was the country where this track was produced or recorded. Based on our statistics, María Manuela: "Así Como Es Ella, Deberías Ser Tú"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since María Manuela: "Así Como Es Ella, Deberías Ser Tú" by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica has a tempo of 121 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With María Manuela: "Así Como Es Ella, Deberías Ser Tú" being at 121 BPM, the half-time would be 60 BPM with a double-time of 242 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gernikako Arbola: Himno Vasco - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi, Jose Maria Maiza | F Major | 2 | 7B | 164 BPM | ||
O Del Mio Amato Ben | Gwyn Hughes Jones | A♭ Major | 1 | 4B | 134 BPM | ||
El Año Pasado por Agua: "Zortzico y Chotis: Ay Niña de Mis Ojos" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | G Major | 2 | 9B | 118 BPM | ||
La Pasión de Cristo, Capítulo 5, Del Pretorio al Gólgota: Coronación de Espinas / Ecce Homo / Sentencia / El Cortejo del Suplicio / Encuentro Con Su Madre / Simón Cirineo 7 | Félix Acaso, Angeles María Baltanas, José María Cordero, María de los A. Herranz, Francisco Sanchez, Banda del Batallón del Ministerio del Ejército, Coro Polifonico | D♭ Major | 1 | 3B | 91 BPM | ||
Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
Stabat Mater, Op. 58, B. 71: II. Quis est homo, qui non fleret. Andante sostenuto | Antonín Dvořák, Eva Urbanova, Marta Benackova, John Uhlenhopp, Peter Mikuláš, Prague Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 84 BPM | ||
La Parranda: "Canto a Murcia" | Gran Orquesta Sinfónica de España | A Major | 4 | 11B | 100 BPM | ||
Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Adriana Lecouvreur, Act I : Ecco, respiro appena… Io son l’umile ancella | Francesco Cilea, Arturo Colautti, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM |
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