"Rossini: Guillaume Tell, Act 2 Scene 2: No. 9, Recitativo e Romanza, "S'allontanano alfine!" (Matilde)" by Gioachino Rossini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra was released on June 4, 2001. The duration of Rossini: Guillaume Tell, Act 2 Scene 2: No. 9, Recitativo e Romanza, "S'allontanano alfine!" (Matilde) is about 3 minutes long, at 3:18. Based on our data, "Rossini: Guillaume Tell, Act 2 Scene 2: No. 9, Recitativo e Romanza, "S'allontanano alfine!" (Matilde)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 'Casta Diva', so we believe that "Rossini: Guillaume Tell, Act 2 Scene 2: No. 9, Recitativo e Romanza, "S'allontanano alfine!" (Matilde)" is a single. Rossini: Guillaume Tell, Act 2 Scene 2: No. 9, Recitativo e Romanza, "S'allontanano alfine!" (Matilde) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rossini: Guillaume Tell, Act 2 Scene 2: No. 9, Recitativo e Romanza, "S'allontanano alfine!" (Matilde) by Gioachino Rossini, Angela Gheorghiu, Evelino Pidò, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Il Barbiere di Siviglia: Ah, ah! che bella vita! - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 101 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
String Quintet in E Major, Op. 13, No. 5: III. Minuetto | Luigi Boccherini, Lazar Gosman | A Major | 1 | 11B | 99 BPM | ||
Il barbiere di Siviglia: Act I: Overture - Remastered | Gioachino Rossini, Erich Leinsdorf | E Major | 3 | 12B | 96 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Count Almaviva) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Luigi Alva, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM |
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