"Keyboard Concerto in D Major, BWV 1054: II. Adagio e piano sempre" by Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra was released on 1957. Keyboard Concerto in D Major, BWV 1054: II. Adagio e piano sempre is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Glenn Gould, George Frideric Handel, Glenn Gould, Paul Hindemith, Glenn Gould, Richard Strauss, Glenn Gould, Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: Piano Concertos Nos. 1 - 5 BWV 1052-1056 & No. 7 BWV 1058" album is number 8 out of 18. Based on our statistics, Keyboard Concerto in D Major, BWV 1054: II. Adagio e piano sempre's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Keyboard Concerto in D Major, BWV 1054: II. Adagio e piano sempre by Johann Sebastian Bach, Glenn Gould, Vladimir Golschmann, Columbia Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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4 Impromptus Op. 142, D.935: No. 1 in F Minor: Allegro moderato | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 65 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 44, Choral. "Befiehl du deine Wege" | Johann Sebastian Bach, Otto Klemperer, Boys of Hampstead Parish Church Choir, The Philharmonia Chorus, Philharmonia Orchestra | F Major | 1 | 7B | 84 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
Concerto for Flute, Harp, and Orchestra in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Carl Reinecke, Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm | C Minor | 4 | 5A | 110 BPM | ||
Piano Trio No. 2 in C Minor Op. 66: IV. Finale: Allegro appassionato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | C Minor | 1 | 5A | 88 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Nun komm' der Heiden Heiland | Johann Sebastian Bach, Clément Geoffroy, Loris Barrucand | B Minor | 7 | 10A | 115 BPM | ||
Italian Ground: Allemande | Orlando Gibbons, Glenn Gould | C Major | 4 | 8B | 105 BPM | ||
6 Little Preludes: No. 1 in C Major, BWV 933 | Johann Sebastian Bach, Glenn Gould | C Major | 4 | 8B | 104 BPM |
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