Arturo Márquez, Sinfonia Varsovia, Andris Poga's 'Danzón No. 2' came out on December 16, 2016. Since Danzón No. 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orchestre Philharmonique De Varsovie, Boris Berezovsky, Jean-Frédéric Neuburger, Shani Diluka, Iddo Bar-Shaï, Antoni Wit, Dmitri Liss, John Nelson, Kazuki Yamada, Gordon Nikolitch, Jean-François Heisser, Andris Poga, Robert Trevino, Faycal Karoui, Emmanuel Strosser, Adélaïde Panaget, Naïri Badal's "La Folle Journée 2017: Le Rythme des Peuples" album is number 8 out of 30. On top of that, France appears to be the country where this track was created. Danzón No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Danzón No. 2 by Arturo Márquez, Sinfonia Varsovia, Andris Poga to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piazzolla: L'histoire du tango: II. Café 1930 | Astor Piazzolla, Emmanuel Pahud, Christian Rivet | E Minor | 1 | 9A | 80 BPM | ||
Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo | Johann Sebastian Bach, Südwestdeutsches Kammerorchester Pforzheim, Sebastian Tewinkel, Cyprien Katsaris | F Minor | 0 | 4A | 119 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Fuga Y misterio (arr. José Carli) | Die 12 Cellisten der Berliner Philharmoniker | A Minor | 2 | 8A | 122 BPM | ||
Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Swan Lake, Op.20 - Mariinsky Version / Act 1: Scene 2: Scène. Moderato | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | E Minor | 2 | 9A | 87 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM |
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