Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort's 'Psalm 134:2 Koraal "Heft uwe handen naar omhoog"' came out on 2016. With Psalm 134:2 Koraal "Heft uwe handen naar omhoog" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Psalmcomposties voor Koor en Orgel Vol. 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Psalm 134:2 Koraal "Heft uwe handen naar omhoog" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 134:2 Koraal "Heft uwe handen naar omhoog" by Gerard de Wit, Johanneke de Wit, Harjo Neutkens, Anne-Linde Visser, Dutch Baroque Vocal Consort having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Sonata No. 6 in C Minor, Op. 91: II. Gracieusement | Joseph Bodin de Boismortier, Wilbert Hazelzet, Gerard de Wit | B Minor | 1 | 10A | 123 BPM | ||
Johannes-Passion, BWV 245.1: 11. Choral: Wer hat dich so geschlagen | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 172 BPM | ||
Orgelcompositie Psalm 122 | Gerard de Wit | D Minor | 3 | 7A | 75 BPM | ||
Messa della Madonna: Tocata avanti la Messa della Madonna | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Pourquoy font bruit et s’assemblent les gens - Psalm 2 | Gerard de Wit, Dutch Baroque, Johanette Zomer, Peter de Groot, William Knight, Jasper Schweppe | A Minor | 1 | 8A | 101 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
O sacrum convivium | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Psalm 32:6 Koraal Rechtvaardig volk, verheft uw blijde klanken | Gerard de Wit, Harjo Neutkens, Anne-Linde Visser, Johanneke de Wit, Dutch Baroque Vocal Consort | D Major | 2 | 10B | 82 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: III. Variation III | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Les Indes galantes, RCT 44: Gavotte vive pour les fleurs - Arr. for Organ and Soprano by Edward Higginbottom | Jean-Philippe Rameau, Edward Higginbottom | D Major | 1 | 10B | 68 BPM |
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