"Symphony No. 2 In C Minor - "Resurrection" / 5: Im Tempo des Scherzo: Am Anfang sehr zurückgehalten - Live" by Gustav Mahler, New York Philharmonic, Leonard Bernstein was released on November 11, 1987. With Symphony No. 2 In C Minor - "Resurrection" / 5: Im Tempo des Scherzo: Am Anfang sehr zurückgehalten - Live being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, New York Philharmonic, Leonard Bernstein's "Mahler: Symphony No.2 "Resurrection"" album is number 7 out of 25. In terms of popularity, Symphony No. 2 In C Minor - "Resurrection" / 5: Im Tempo des Scherzo: Am Anfang sehr zurückgehalten - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 In C Minor - "Resurrection" / 5: Im Tempo des Scherzo: Am Anfang sehr zurückgehalten - Live by Gustav Mahler, New York Philharmonic, Leonard Bernstein to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16 | Sergei Rachmaninoff, Yuja Wang, Mahler Chamber Orchestra, Claudio Abbado | A♭ Minor | 0 | 1A | 82 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Lucia Popp, Arleen Auger, Vienna Boys' Choir, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 101 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 2: 15c. Coda | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | G Minor | 1 | 6A | 146 BPM | ||
Don Quixote, Op. 35, TrV 184: Introduction | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 1 | 10B | 92 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
Symphony No. 8 in E Flat Major "Symphony of a Thousand" / Pt. 1: Gloria sit Patri Domino | Gustav Mahler, Tamara Wilson, Leah Crocetto, Mihoko Fujimura, Tamara Mumford, Simon O'Neill, Ryan McKinny, Morris Robinson, Los Angeles Master Chorale, Pacific Chorale, Los Angeles Children's Chorus, National Children’s Chorus, Los Angeles Philharmonic, Gustavo Dudamel | E♭ Major | 6 | 5B | 132 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Prologue "The path of truth is plain and safe” | Leonard Bernstein, Claudia Boyle, Joseph Kaiser, Gordon Bintner, Lucas Meachem, Rupert Charlesworth, Daniel Belcher, Annie Rosen, Steven Humes, Maija Skille, John Tessier, Choeur de l'Orchestre Symphonique de Montréal, Orchestre Symphonique de Montréal, Kent Nagano | B Minor | 1 | 10A | 167 BPM | ||
Symphony No.1, Op.10: 4. Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Più mosso - Presto - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | D♭ Major | 1 | 3B | 82 BPM | ||
Symphony No. 3 in D Major, D.200: II. Allegretto | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | G Major | 0 | 9B | 115 BPM |
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