Messa da morto breve in G Minor: I. Requiem Aeternam
Daniel Pio Dal Barba, Coro Istituzione Armonica, Ensemble Il Narvalo, Alberto Turco
Dal Barba: Requiem and Other Sacred Music
5:45 September 28, 2022
BPM
72
Key
F♯ Major
Camelot
2B

Embed

Share Link

Messa da morto breve in G Minor: I. Requiem Aeternam - Daniel Pio Dal Barba, Coro Istituzione Armonica, Ensemble Il Narvalo, Alberto Turco Information

Acousticness
92%
Danceability
15%
Energy
19%
Instrumentalness
0%
Liveness
15%
Loudness
73%
Speechiness
4%
Valence
15%
Popularity
Loudness
-16.06 dB

Summary

"Messa da morto breve in G Minor: I. Requiem Aeternam" by Daniel Pio Dal Barba, Coro Istituzione Armonica, Ensemble Il Narvalo, Alberto Turco was released on September 28, 2022. Messa da morto breve in G Minor: I. Requiem Aeternam is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 1 out of 8 in Dal Barba: Requiem and Other Sacred Music by Daniel Pio Dal Barba, Coro Istituzione Armonica, Ensemble Il Narvalo, Alberto Turco. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Messa da morto breve in G Minor: I. Requiem Aeternam is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Messa da morto breve in G Minor: I. Requiem Aeternam BPM

The tempo marking of Messa da morto breve in G Minor: I. Requiem Aeternam by Daniel Pio Dal Barba, Coro Istituzione Armonica, Ensemble Il Narvalo, Alberto Turco is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Messa da morto breve in G Minor: I. Requiem Aeternam Key

F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Armida al campo d'Egitto, RV 699: Chi alla colpa fa tragitto by Antonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble FArmida al campo d'Egitto, RV 699: Chi alla colpa fa tragittoAntonio Vivaldi, Miho Fukui, Dominik Worner, Ensemble FF♯ Minor611A157 BPM
Gloria, ZWV 30: V. Qui sedes by Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav LuksGloria, ZWV 30: V. Qui sedesJan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav LuksE Major112B84 BPM
Première suite à 3 violes in D Major: No. 2, Allemande by Marin Marais, François Joubert-Caillet, L'AchéronPremière suite à 3 violes in D Major: No. 2, AllemandeMarin Marais, François Joubert-Caillet, L'AchéronA♭ Major14B145 BPM
Ouverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. Largo by Jean-Marie Leclair, Patrick Cohën-Akenine, Les Folies FrançoisesOuverture pour deux violons et basse continue in A Major, Op. 13 No. 3: III. LargoJean-Marie Leclair, Patrick Cohën-Akenine, Les Folies FrançoisesF♯ Minor211A115 BPM
Ariadne Musica: No. 2, Prelude & Fugue in C-Sharp Minor by Johann Caspar Ferdinand Fischer, Andreas StaierAriadne Musica: No. 2, Prelude & Fugue in C-Sharp MinorJohann Caspar Ferdinand Fischer, Andreas StaierC Minor25A124 BPM
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: III. Adagio by Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette SorrellMystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: III. AdagioHeinrich Ignaz Franz von Biber, Alan Choo, Jeannette SorrellB Major11B95 BPM
Symphony in F Major: II. Andante - III. Presto by Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700Symphony in F Major: II. Andante - III. PrestoGiovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700E Major112B182 BPM
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux by Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiLes fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieuxJean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy VashegyiE♭ Major05B99 BPM
Concert Royal No. 2 in D: I. Prélude. Gracieusement (Version for 2 Harpsichords and Theorbo) by François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut RousselConcert Royal No. 2 in D: I. Prélude. Gracieusement (Version for 2 Harpsichords and Theorbo)François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut RousselE♭ Major45B125 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreGluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuèChristoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreD Major110B93 BPM
ISRC
NLY332104709
Label
L-M Records/RCA Records

Section: 0.6769444942474365

End: 0.6825106143951416