Leonard Bernstein, Robert Rounseville, Barbara Cook, William Olvis, Irra Petina, Samuel Krachmalnick, Candide Orchestra's 'Candide, Act I (Remastered): Finale' came out on January 19, 2018. The duration of Candide, Act I (Remastered): Finale is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Candide, Act I (Remastered): Finale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 16 in Candide (Original Broadway Cast Recording) by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Candide, Act I (Remastered): Finale is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide, Act I (Remastered): Finale by Leonard Bernstein, Robert Rounseville, Barbara Cook, William Olvis, Irra Petina, Samuel Krachmalnick, Candide Orchestra is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
Fancy Free: Enter Three Sailors / Fancy Free: Var. 3 (Danzon) / On the Town: New York, New York | Leonard Bernstein, Tony Yazbeck, Clyde Alves, Jay Armstrong Johnson, Ruth Mense, Dicky Tarrach, Thissy Thiers, London Symphony Orchestra, Yannick Nézet-Séguin, New York Philharmonic | F Major | 2 | 7B | 77 BPM | ||
Spartacus - Ballet Suite: Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A♭ Major | 1 | 4B | 85 BPM | ||
Symphony No.29 In A Major K.186a (K. 201): Allegro moderato | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
Symphonic Dances from "West Side Story" *: Symphonic Dances from West Side Story: Scherzo (Vivace leggiero) | Leonard Bernstein, New York Philharmonic, West Side Story Original Broadway Cast | F Major | 1 | 7B | 108 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | Modest Mussorgsky, New York Philharmonic, Leonard Bernstein | F Minor | 1 | 4A | 86 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM |
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